Two and a half centuries on, future is bright for expanding Hermitage

In 2014 the Russian State Hermitage Museum in St. Petersburg was elected the best museum in Europe by users of the world's largest tourism website TripAdvisor, leaving behind the Florentine Academy of Fine Arts and the Musée d'Orsay in Paris.

For its 250th birthday the Hermitage is witnessing its own revival. In fact, the last time it grew and developed so fast was at the time of its foundation by Catherine the Great. The empress first established the Hermitage collection in 1764, having bought 225 paintings from a Berlin merchant that included Dutch, Flemish and Italian masters.

Today the museum's depositories still contain 96 works from the original collection, which in the beginning was housed in the palace's secluded apartments. Hence the name of the museum: ‘hermitage’ means seclusion.

But today the Hermitage is no longer a private collection hidden in several rooms. Like all museums with a world-famous name, it also has branches abroad.

The Hermitage first entered the world stage in 2000, opening a branch in London's Somerset House and another one in Las Vegas a year later (the two branches closed in 2007 and 2008, respectively). Other affiliates were established in Amsterdam and Venice.

But the main change in the museum's life in the last decades occurred in its native city, St. Petersburg: The Hermitage came into possession of the General Staff Building, which stands on the other side of Palace Square and which until then had never served as a museum.
Ever since 1829, when the General Staff Building was erected, its parquet had been abraded not by the shoes of art lovers but by military boots. In 2013 a large-scale project helped reconstruct the eastern wing of the building, which now houses the modern art collection. Thus, the museum, which always had a conservative exhibition policy and earlier only occasionally exhibited modern artistic trends, has finally obtained an entire wing dedicated to this kind of art.

Important exhibitions now take place in the Hermitage's new premises every year. In 2012 the premises hosted Jake and Dinos Chapman's exhibition "The End of Fun" in which the British artists expressed their opinion of the Third Reich in iconoclastic fashion. Last year the General Staff Building presented the Contemporary Art of Japan Exhibition, in which the main attraction was Motoi Yamamoto's extensive Salt Labyrinth installation.

This year the Hermitage welcomed the Manifesta European Biennale of Contemporary Art (now extended to October 31). "Never has an exhibition of such level and significance been presented in Russia," says Hermitage Director Mikhail Piotrovsky. "Until now we have organized our own exhibitions, some good, some not so good. But now an exhibition has arrived that was created in Europe and for Europe. It has left the confines of the European Union for the first time.”

For art historian Natalya Semyonova, one of the Hermitage's unique traits is the accessibility of its exhibits, even those that are not on public display: "No museum in Russia, except for the Hermitage, has an open storeroom, which provides access to an enormous quantity of exhibits never seen by the public," she says, referring to the Hermitage storeroom in Staraya Derevnya in the outskirts of the city, which it is possible to visit by arrangement.

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